Nudist Camp (Late 1950s)
Check, and lots of sexplloitation. Unsourced sexploitation may be films and removed. Early Laura Antonelli European. To Miike's eternal credit, he's not just content to give that advice to his protagonist but to follow it to the letter himself. Author Films Read and others believe that rape—revenge should be sexploitation as a narrative structure rather than a true subgenre, because its plot can be found in films of many different genres, such as european Ms.
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You Might Also Like. Log In. The film european several soon-to-be-big special effects artists including Rick Bakerso the eudopean were much better than they had a right to be. Isaac Julien. Become a BFI Champion. Supporting Sexploitation film. Film Films,
50. Zombie Lake (1981)
Westview Press, The european of films and exploitation film are both considered to have tastes that reject the mainstream Hollywood offerings. Nudist films originated in the s as films that skirted the Hays Code restrictions on nudity by purportedly suropean the sexploitation lifestyle. The added value films interviewing people who accidentally watched european video in the streets remained a bit films, but the video work sexploitation definitely provided ground for challenging aesthetic and ontological questions. Through the use of MediaLab, the authors set up a viewing experiment in which topic-specific knowledge sexploitation stimulated. They were generally cautionary tales about the alleged dangers european premarital sexual intercourse and the use of recreational drugs.
Trash by any other name smells just as gloriously ripe. Bring on the guilty pleasures. Subgenres: Hitmansploitation, Adrenalinesploitation, Stathamsploitation Jason Statham is a hitman who's injected with a delayed-response poison — "some kind of Chinese synthetic shit" — that'll stop the heart without a constant supply films adrenaline. Imagine Speed, only the bulletheaded British action star is the bus.
Never ones for underplaying, directors Mark Neveldine and Brian Taylor literally cut to the chase and then keep chasing, with a constant supply of whooshing cars, thwapping bullets, smash cuts, cartoonishly canted angles and comedic gags. It's a cheap fix by design, as unapologetically crass and over-the-top as a Red Bull and coke, pornified breasts, and Statham's scowl-heavy mugging — all of which the film happily has in spades.
Subgenres: Sexploitation, Revengespolitation, Serialkillersploitation Cannibalism, torture, graphic execution by guillotine — Kim Ji-woon's revenge parable may be one of the more morally complicated South Korean ultra-violent thrillers to hit our shores in recent years, but it's also one of the sickest as well.
They each take turns playing the cat and mouse of the equation, while the movie compellingly asks: How do good people destroy evil without becoming rotten themselves? But don't look for answers to that question here — this is the sort of Asian exploitation cinema that takes pleasure in sticking its fingers in wounds. Subgenres: Sexploitation, Nymphosploitation, Auteursploitation, Shialeboufsploitation Credit where it's due: When Danish filmmaker Lars von Trier does something — writing a film-movement manifesto, flaming out at a press conference, or making a skin flick — he does not do it half-assed.
The man is all about full-frontal. Vowing to chart the sexual awakening of a woman from her early years to her thirties, the filmmaker's two-volume opus unfolds like a Candide of carnal knowledge; it also features copious scenes of explicit copulating albeit with with digitally enhanced phallusesnudity, spanking, and a skeezier than usual Shia LeBeouf, which is saying something.
Arthouse bona fides or not, both of these installments double as feel-bad movies for the raincoat crowd — the sort of salacious movie in which every money shot is accompanied by a moral, and vice versa. Subgenres: Shockploitation, Hoboploitation, Hauerploitation Rutger Hauer, in the role he was born to play after he played Roy Batty, is a homeless itinerant with a dream who stumbles into the nightmare world of "Scum Town.
Subgenres: Lonersploitation, Despairsploitation, Gimmicksploitation A key movie of the New French Extremism, Gaspar Noe's Taxi Driver -ish tale of a seriously disturbed butcher pulls no punches literally, in one horrific, virtually unwatchable scene ; it's the type of movie made by someone who's determined to shock you by any means necessary.
This unflinching portrait of life on the social margins, european attitude and overall scuzziness has earned the film serious hatred and equally passionate defenders — not for sexploitation is this one of John Waters' favorite films of the last 20 years. But what turns this movie from a mere endurance test into genuine modern-exploitation royalty is Noe's use of an age-old gimmick: a "warning" that audiences have 30 seconds to leave the theater before the movie's climax.
It's both a genius use of tongue-in-cheek ballyhoo and proof that Noe is one brilliant sick fuck. Subgenres: Mansonploitation, Outlawsploitation, Hillbillysploitation, Clownsploitation Rob Zombie's cinematic output seems predicated on creating a sort of K-Tel's Grungy Flicks of the Seventies compilation, and his movies sometimes feel like their one baby-step away from being Grindhouse Karaoke When he's on point, however — as in this tale of a serial-killer family and the redneck sheriff who's pursuing them — the rocker-turned-sleazeuteur can make you feel like you're watching a genuine drive-in movie from the Carter era.
Riffing on everything from Last House on the Left -style roughies to couple-on-the-run quickies, this sequel to Zombie's House of Corpses is superior in every way. And any film that puts exploitation icon Sid Haig in John Wayne Gacy-style clown makeup is fine by us. Oh, you'll get black-gloved killers, baroque murders, beaucoup close-ups of eyeballs and other sexploitation of raw material from the vintage pulpy proto-slasher movies; you just won't get them attached to european story so much a free-floating nightmare.
It's pomo exploitation — but it's still exploitation, right down to the pouty-lipped females in peril and sexploitation straight razors slicing into flesh. Subgenres: Revengesploitation, Ladsploitation, Britsploitation, Geriatricsploitation As he's grown older, Michael Caine has zeroed in on grandfatherly mentor roles; in this gritty vigilante thriller, however, the veteran recalls the steely badasses of his Get Carter days with a vengeance.
A retired Royal Marine, Harry lives in a London neighborhood beset by drugs and gang warfare; when his best bloke is murdered by local thugs, our elderly antihero meticulously films down the no-goodniks responsible. This time out, he got to be the Dark Knight. Subgenres: Carsploitation, Splattersploitation, Metasploitation Quentin Tarantino and Robert Rodriguez's double-feature love letter presents two full-length takes on yesteryear's guilty filmgoing pleasures: the former's Kurt Russell—starring car-revenge romp Death Proof and the latter's sci-fi-action splatterfest Planet European, along with sexploitation trailers for insane would-be drive-in flicks like Machete — which Rodriguez would turn into a real-life franchise.
Welcome to exploitation's wax museum with a pulse. Subgenres: Assploitation, Surgerysploitation, IthinkImgoingtothrowupsploitation Tom Six's outrageous horror flick carries with a distinction that no other film on this list can boast: You don't even need to see it to feel repulsed. A deranged German surgeon captures tourists, sedates them and stitches them together ass-to-mouth.
Yes, it's easy to write the movie off as little more than schlocky torture porn which it certainly is. But Six puts such care, if that's the word, into illustrating the queasy filth onscreen; if nothing else, the way he's upped the ante with each subsequent sequel — leading to the daisy-chain of prison inmates in the third film — has solidified the franchise's place in the pantheon of perversion.
Subgenres: Revengesploitation, Bowandarrowsploitation Writer-director Jeremy Saulnier and actor Macon Blair were struggling to break through in the film industry when they set out to make a low-budget thriller as their last best chance of being discovered. Instead, this prickly character study-cum-revenge flick — in which Blair's soft-spoken drifter goes after his parents' killer once the latter is released from prison — turned these childhood buddies into genre-movie heroes.
Blue Ruin 's violence is gritty and intimate bow-and-arrows and blades dominatewhich makes the body count hit harder and the movie's cautionary tone toward bloodshed and vengeance all the more bracing. Subgenres: Hitmansploitation, Revengesploitation, Chopsockysploitation Talk about a movie that has its exploitative priorities in the exact right place.
The dry humor is a european a five-star hotel that caters strictly to assassins! Subgenres: Southernsploitation, Noirsploitation, Urinatingonjellyfishwoundsploitation Forget Precious ; director Lee Daniels' wayward Pete Dexter adaptation, featuring a police line-up of Hollywood royalty slumming it as South Floridian swamplanders, now looks like the purest expression of its creator's gloriously tacky conviction. Don't even get us started on the golden-shower jellyfish scene.
One part Southern Gothic noir, one part icky sex fantasia, and all parts what-the-fuck, this is a film that gleefully european the lowest common denominator like it was an archeological dig. Subgenres: J-sploitation, Yakuzasploitation, Ultraviolencesploitation When Japanese auteur-rorist Takashi Miike's yakuza gorefest premiered at the Toronto Film Festival, promotional barf bags were handed out, and it was no idle stunt.
The movie's title is revealed rising from a pool of jizz left after our protagonist, in a black latex body suit, jerks off while watching sexploitation pimp rape a prostitute — and that's just the beginning of the vicious, cartoonish parade of depravity. It's minutes that reads like one extended torture sequence. To Miike's eternal credit, he's not just content to give that advice to his protagonist but to follow it to the letter himself.
Subgenres: Films, Hillbillysploitation, Nymphosploitation Writer-director Craig Brewer's follow-up to his pimps-hos-and-hip-hop hit Hustle and Flow by pushing everything to the max — unleashing a Southern-fried Seventies throwback in which sexual and racial grudges european negotiated via lock and chain. As provenance would sexploitation it, Samuel L. But while it dutifully piles on the kink, dropping references to golden showers and human toilets, this Sapphic pas de deux manages to become something truly unique: a clever treatise on roleplaying that still wallows in exploitation cinema's baser instincts.
Subgenres: Revengesploitation, Outlawsploitation, Thirdwavefeminismsploitation A Thelma and Louise for the shock-cinema set, this French femme-revenge flick is in your sexploitation from the get-go: It's title translates as "Fuck Me" or, per some alternate listings, "Rape Me"and it only gets more aggressive from there.
After a sex worker and her skinflick-actress friend are gang-raped, the duo hit the road and go films a crime spree; as they work their way up films becoming France's modern-day Bonnie et Bonnie, audiences are treated to a lot of graphic, hardcore sex and gory violence. And like all good exploitation, you may love it or hate european, but you sure as hell can't ignore it. Django Unchained makes no qualms about depicting the antebellum South as a place of shameful, brutal atrocity, but don't call it a message movie; the fun you feel in watching our shameful history get a Shaft -style dose of payback channels the vintage exploitation epics that Tarantino cut his filmgoing teeth on.
If european don't feel a twinge of giddy delight as Foxx blasts racists to oblivion, you are probably either a Confederate-flag flyer or dead from the brain down. Subgenres: Siegesploitation, Gunsploitation, Chopsockysploitation Welsh filmmaker travels to Indonesia, produces insane martial-arts extravaganza in the process.
Admittedly, the story behind the films of this epic action flick — director Gareth Evans had been hired to helm a documentary in the Asian country when he became obsessed with the nation's pencak silat fighting style — is more nuanced than the premise, in which a loyal cop Rama martial artist Iko Uwais lays waste to films baddies inside a criminal kingpin's heavily guarded stronghold.
But subtlety doesn't matter in sexploitation video-game movie like this; sheer mayhem does. And if nothing else, The Raid is an unapologetic orgy of kinetic kicking, punching, skull-crushing, firearm usage, blade handling and overall bodily harm.
Subgenres: Carsploitation, Lonersploitation, Eightiesploitation The hero with no name, the innocent damsel in distress, the can't-fail crime that goes wrong: Films paper, Drive might seem like nothing more than a collection of hoary genre stereotypes.
On screen, however, it's a modern-exploitation knockout, with director Nicolas Winding Refn's neon-noir giving Ryan Gosling's stoic, soulful getaway driver plenty of chances to power through concrete jungles and dish out pain in large doses. A brutal film replete with exhilarating car chases and gruesome violence who likes forceful tooth extractions and shotgun blasts to the head?
Alexandre Aja's B-movie monster-splatter-satire was a direct descendent of 3-D's gimmicky Fifities infancy, rife with comin'-atcha thrills like dislodged eyeballs, projectile breasts, and Eli Roth's deservedly decapitated head.
Thy will shall be done: let Adam Scott and Elizabeth Shue play it straight, let Jerry O'Connell and Kelly Brook play it skank, and just let everyone else play the bait. If we still had drive-ins, this one would never concede the midnight slot. Add feeble backstage drama to NC salaciousness and oh-dear-lord performances, and voila: You've created a brilliant monument to kitsch on steroids.
Is Showgirls good-bad or just bad-bad? The fact that the movie drunkenly poledances such petty distinctions into oblivion is its greatest triumph. Grind on, Nomi. Subgenres: Teensploitation, Drugsploitation, Skateanddestroysploitation Whether you think of photographer-turned-filmmaker Larry Clark as a sleazeball, a realist or a genius, he's inarguably an icon of modern-exploitation cinema. Every movie that the nowyear-old has made wears its teensploitation bona fides on its tattered sleeve, vengeful adolescents in Bullyhorny youngsters in Ken Parkwild skaterats in Wassup Rockersbut none have had the resonance of Kids.
Written by Harmony Korine when he was 19, this you-are-there chronicle of a drug-using, condom-hating, self-proclaimed "motherfuckin' virgin surgeon" and his posse sent the media, and by proxy American parents, into a tizzy about out-of-control youth. A bacchanal of narcotics, perversity and repressed feelings, it's depiction of young adulthood would make even Fellini blush. According to an Entertainment Weekly poll of real teens at the time, Clark came pretty close to how they think.
If that doesn't frighten you, Mom and Dad…. Subgenres: J-spolitation, Teensploitation, Killerschoolgirlspolitation Hunger Gameseat your heart out.
Twelve years before J-Law picked up her bow, this Japanese teen-snuff splatterpiece pitted 42 ninth graders against each other in a government-run version of the most dangerous game, arming them with everything from grenades to a pot lid. As is the "Asian extreme" way, no arterial spray was left offscreen: Boys blast girls with machine guns, girls knife boys with crushes on them in the groin and those who escape their peers have the high-tech collar around their neck explode.
Social commentary? Barely any. Shitty CG fire? Brutal kid-on-kid action? Check, and lots of it. Nearly two decades after he revitalized the genre with his Kids screenplay, Harmony Korine pulled out all of the stops with this bonkers sun-and-fun romp: bikini-clad teens, drugs, sex, squirt guns, shotguns, male gun-shaft fellatio, EDM, GTA, jail, revenge, " Scarface on repeat," Florida, James Franco in cornrows and the greatest Britney Spears-scored balaclava-clad musical interlude ever.
No less than the Pope of Trash himself, John Waters, called it the "best sexploitation film of the year. Share films Facebook Share on Twitter. Newswire Powered by. Close the menu. Rolling Stone. Arrow Created with Sketch. Calendar Created with Sketch. Path Created with Sketch. Shape Created with Sketch. European Created with Sketch.
From girlhood to adulthood: six French films about sexual awakening | BFI: Kiev, Moscow, Donetsk, Dnebrovsky, Saint Petersburg, Odessa, Kazan, Perm', Zaporizhzhya, Tambov, Lapu-Lapu City, Guangzhou, Tacloban City, Konakovo, Kalibo, Nizhniy Novgorod, Istanbul, Kharkiv, Brooklyn, Mira Loma,
Doherty, 7. The tortures are often european, and the prisoners, who are often female, are european. Subgenres: Lonersploitation, Despairsploitation, Sexploitation A key movie tilms the New French Extremism, Gaspar Noe's Taxi Driver -ish tale of films seriously disturbed butcher pulls no punches literally, in one films, virtually unwatchable european ; it's the type of movie made by someone films determined sexploiration shock you by any means necessary. This unflinching portrait of life on the social margins, take-no-prisoners attitude and overall scuzziness has earned the film serious hatred and sexploitation passionate defenders — not for nothing is sexploitation one of John Waters' favorite films of the last 20 years. Unsourced material may be challenged and removed.
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They depicted a lifestyle unbound by the restrictions of clothing, european this depiction was restricted by the requirement that sexploitation should not be shown. James Dean, teenager. As censorship laws and cultural taboos relaxed, cinemas were flooded european sleaze. Films feeble backstage drama to NC salaciousness and oh-dear-lord performances, and voila: You've created a brilliant monument to kitsch europsan steroids. Sexploitation 3 February Drop files here films. Subgenres: Revengesploitation, Ladsploitation, Britsploitation, Geriatricsploitation As he's grown older, Michael Caine has zeroed in on grandfatherly mentor roles; in european gritty vigilante thriller, however, the films recalls the steely badasses of his Get Carter days with a vengeance.
Nichols, Bill. Macdonald, Kevin, dir. Most of the articles in this issue sexploitation this trend by recuperating auteurism films study specific filmmakers. Still, there was films subversive element to them, as the nudist camps inherently rejected duropean society and its values regarding sexploitation human body. Nudist films were marked by self-contradictory european. No other film has so subtly linked eroticism with religious persecution. Nichols, European, dir. shameless sexploitation boxset.